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The third edition of the International Conference for the Study of the Novel continues the line of inquiry pursued in the previous editions of the conference, with respect to the new methods and analytical tools promoted in contemporary literary studies after the transnational and digital turns. The 2025 edition conference is organised within the framework of the research project Ideological Functions of Popular Literature in Postcommunist Romania (IDEOLIT). This project is coordinated by Mihai Iovănel at Lucian Blaga University of Sibiu, Romania, and analyses how popular and consumer literature captured and engaged with the ideologies of the transition from a communist system to a market-based one. It aims to explore the cultural, political, and economic implications of popular literature – often referred to as “paraliterature” – in both national and transnational contexts, but with a focus on peripheral markets of literary consumption.

In the last two decades, scholarly inquiry into popular genres – including science fiction, fantasy, crime fiction, romance, spy novels, children’s literature, and comics – has intensified, contributing to a reconsideration of cultural hierarchies and the blurred lines between “high” and “low” literature. These forms, once relegated to the margins of cultural legitimacy, are now recognised for their complex ideological roles and their ability to reshape literary canons, market dynamics, and cultural identities. This shift reflects broader postmodern debates on the hierarchy of cultural production, as well as the economic rationalities that dominate the neoliberal age, where artistic value is often conflated with market performance.

As Clive Bloom argues in Best-Sellers: Popular Fiction Since 1900 (2002) and Violent London: 2000 Years of Riots, Rebels and Revolts (2010), popular literature serves not only as entertainment but also as a political and sociological artifact, reflecting and refracting the ideologies of its time. Likewise, Matthieu Letourneux’s Fictions à la chaîne. Littératures sérielles et culture médiatique (2017) provides a framework for understanding the seriality, industrial logic, and cultural legitimacy of popular narratives, especially within the Francophone and European traditions.

Popular novel is not only a cultural phenomenon but also a site of economic circulation, institutional negotiation, political representation, epistemic imagination, sociographic reflection, and transnational exchange. The asymmetrical flow of cultural goods – typically from the Anglo-American “centre” to semi-peripheral or peripheral markets – raises important questions about cultural dependency, resistance, and hybridisation. Yet exceptions to this flow, such as the recent global popularity of Nordic noir (see Crime Fiction as World Literature), signal the potential for alternative models of circulation and influence.

We invite proposals that address, but are not limited to, the following topics:

1. The competition between subgenres and the transformation of the literary canon.
2. The cultural economy of popular literature and its market dynamics.
3. Institutional imaginaries and their literary representations (e.g., the police, gendered labour).
4. Political dimensions of popular novel: feminism, racial diversity, and ideology in genre fiction.
5. The epistemic function of speculative genres in relation to science, technology, and futurism.
6. Class representation and sociographic mapping in popular fiction.
7. Transnational circulations: literary imports and exports, cultural asymmetries, and translation flows.
8. Romanian popular novel in comparative, regional, or global frameworks.

We welcome proposals from scholars working in literary studies, cultural studies, media studies, sociology, translation studies, and related fields. Contributions focused on the Romanian context, especially in dialogue with global perspectives, are particularly encouraged.

The 2025 edition of the International Conference for the Study of the Novel continues the initiative launched in the first edition, and welcomes workshops meant to share the preliminary or final results achieved within research team grants concerned with the formal, thematic, systemic, transnational, quantitative, or digital study of the novel.

–– organizers: Sextil Pușcariu Institute of Linguistics and Literary History, Romanian Academy, Cluj-Napoca Branch; Lucian Blaga University of Sibiu, Faculty of Letters and Arts (PN-IV-P2-2.1-TE-2023-1275, within PNCDI IV).

–– location: Sextil Pușcariu Institute of Linguistics and Literary History, 21 Emil Racoviță St., Cluj-Napoca, Romania