{"id":32,"date":"2022-02-06T10:38:42","date_gmt":"2022-02-06T10:38:42","guid":{"rendered":"https:\/\/grants.ulbsibiu.ro\/arcan\/?page_id=32"},"modified":"2026-02-25T09:22:06","modified_gmt":"2026-02-25T09:22:06","slug":"results","status":"publish","type":"page","link":"https:\/\/grants.ulbsibiu.ro\/arcan\/results\/","title":{"rendered":"Results"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"32\" class=\"elementor elementor-32\" data-elementor-settings=\"[]\">\n\t\t\t\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-49cf8aca elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"49cf8aca\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-6f15591f\" data-id=\"6f15591f\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6e46c2 elementor-widget elementor-widget-text-editor\" data-id=\"6e46c2\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.5.5 - 03-02-2022 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#818a91;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#818a91;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p><strong>ARCAN in a nutshell:<\/strong><\/p><ul><li>The famous diagnosis made by Nicolae Iorga (and confirmed by many other critics), that Romanians did not have \u201ca novel of their own\u201d in the first 50-70 years of the genre\u2019s existence in Romania, is not confirmed by a quantitative analysis of the genre in relation to Romanian poetry.<\/li><li>At least in the first century of existence of the Romanian novel, its \u201ccanon\u201d is not defined by a simple denial of the properties of the \u201carchive,\u201d but the relationship between the two poles is much more complex.<\/li><li>Until the First World War, there was no sufficiently clear typological differentiation between the subgenres of the novel in Romania, just as there was no firm opposition here between the \u201cartistic\u201d novel and popular fiction.<\/li><li><span style=\"font-size: 14.4px;\">Exploitable result: Module for the Identification of Literary Microgenres, Adapted to Measure the Level of Climate Change Resilience in Fictional Narrative Texts (MICROLIT) &#8211; TRL3 &#8211; <a href=\"https:\/\/grants.ulbsibiu.ro\/arcan\/wp-content\/uploads\/Raport-TRL-MICROLIT.pdf\">see the TRL report in Romanian<\/a><\/span><\/li><li>The \u201ccanonical\u201d Romanian novel emerged after the First World War through the systematic elimination of all \u201cpopular\u201d features from its content.<\/li><li>Although typologically delineated in relation to the \u201cartistic\u201d novel, popular fiction remained a profoundly underdeveloped phenomenon in interwar Romania.<\/li><li>The first novel of Romanian literature\u2014<em>Elvira sau Amorul f\u0103r&#8217; de sf\u00e2r\u0219it<\/em> (Elvira, or Endless Love, 1845), signed only with the initials \u201cD.F.B.\u201d\u2014was actually written by C. A. Rosetti.<\/li><\/ul><p><strong>Articles:<\/strong><\/p><ol><li>Pojoga, Vlad. \u201cNara\u021biune \u0219i interac\u021biune: preliminarii teoretice comparate.\u201d <em>Transilvania<\/em>, no. 11-12 (2021): 53\u201358. <a href=\"https:\/\/revistatransilvania.ro\/wp-content\/uploads\/2021\/12\/Transilvania-11-12.2021-53-58.pdf\">https:\/\/revistatransilvania.ro\/wp-content\/uploads\/2021\/12\/Transilvania-11-12.2021-53-58.pdf<\/a><\/li><li>G\u00e2rdan [= Modoc], Daiana. \u201cShaping the Canon. The International Profile of <em>Via\u021ba Rom\u00e2neasc\u0103<\/em> (1906-1916).\u201d <em>Metacritic Journal for Comparative Studies and Theory<\/em> 7, no. 2 (2021): 84\u201398. <a href=\"https:\/\/www.metacriticjournal.com\/article\/204\/shaping-the-canon-the-international-profile-of-viaa-romneasc-1906-1916\">https:\/\/www.metacriticjournal.com\/article\/204\/shaping-the-canon-the-international-profile-of-viaa-romneasc-1906-1916<\/a><\/li><li>Varga, Drago\u0219. \u201cThe Winning Formula. Conven\u021bii \u0219i stereotipuri ale romanului haiducesc \u00een <em>Mina haiduceasa. Fata codrilor<\/em> de George Baronzi.\u201d <em>Transilvania<\/em>, no. 11-12 (2021): 58\u201361. <a href=\"https:\/\/revistatransilvania.ro\/wp-content\/uploads\/2021\/12\/Transilvania-11-12.2021-49-52.pdf\">https:\/\/revistatransilvania.ro\/wp-content\/uploads\/2021\/12\/Transilvania-11-12.2021-49-52.pdf<\/a><\/li><li>Terian, Andrei. \u201cC\u0103ldur\u0103 mare. Temperatura pasiunilor \u00een romanul <em>Ion <\/em>de Liviu Rebreanu.\u201d <em>Transilvania<\/em>, no. 11-12 (2021): 35\u201344. <a href=\"https:\/\/revistatransilvania.ro\/wp-content\/uploads\/2021\/12\/Transilvania-11-12.2021-35-44.pdf\">https:\/\/revistatransilvania.ro\/wp-content\/uploads\/2021\/12\/Transilvania-11-12.2021-35-44.pdf<\/a><\/li><li>Terian, Andrei. \u201ePrinciples for an Evolutionary Taxonomy of the Romanian Novel.\u201d <em>Transylvanian Review<\/em> 31, suppl. 1 (2022): 11-24. <a href=\"https:\/\/www.academia.edu\/86775570\/Principles_for_an_Evolutionary_Taxonomy_of_the_Romanian_Novel\">https:\/\/www.academia.edu\/86775570\/Principles_for_an_Evolutionary_Taxonomy_of_the_Romanian_Novel<\/a><\/li><li>Vancu, Radu. \u201c\u2018The Lost Child\u2019 and \u2018The Womanless Novel\u2019: An Exploratory Proposal for a Revisitation of the History of Romanian Novel.\u201d <em>Transylvanian Review<\/em> 31, suppl. 1 (2022): 25-34. [<a href=\"https:\/\/grants.ulbsibiu.ro\/arcan\/wp-content\/uploads\/Vancu.pdf\">PDF<\/a>]<\/li><li>Baghiu, \u0218tefan. \u201cLiviu Rebreanu \u0219i Sofia N\u0103dejde ca World Literature: geopolitic\u0103, interimperialitate \u0219i descoperirea lumii \u00een romanul modern.\u201d <em>Transilvania<\/em>, no. 10 (2022): 1-9. <a href=\"https:\/\/revistatransilvania.ro\/wp-content\/uploads\/2022\/12\/interior-RT10-FINAL-6Baghiu-48-56.pdf\">https:\/\/revistatransilvania.ro\/wp-content\/uploads\/2022\/12\/interior-RT10-FINAL-6Baghiu-48-56.pdf<\/a><\/li><li>Baghiu, \u0218tefan. \u201cApartenen\u021ba multipl\u0103 de subgen. O propunere pentru istoria formelor romane\u0219ti.\u201d <em>Transilvania<\/em>, no. 11-12 (2022): 45-49. <a href=\"https:\/\/revistatransilvania.ro\/wp-content\/uploads\/2022\/12\/interior-RT11-12-2022-FINAL-47-51-BAGHIU.pdf\">https:\/\/revistatransilvania.ro\/wp-content\/uploads\/2022\/12\/interior-RT11-12-2022-FINAL-47-51-BAGHIU.pdf<\/a><\/li><li>Pojoga, Vlad. \u201cNarat\u0326iunea proto-hipertextuala\u0306 i\u0302n literatura roma\u0302na\u0306: Tudor Arghezi, <em>Tablete din T\u0326ara de Kuty<\/em> (I).\u201d <em>Transilvania<\/em>, no. 11-12 (2022): 13-20. <a href=\"https:\/\/revistatransilvania.ro\/wp-content\/uploads\/2022\/12\/interior-RT11-12-2022-FINAL-15-22-POJOGA.pdf\">https:\/\/revistatransilvania.ro\/wp-content\/uploads\/2022\/12\/interior-RT11-12-2022-FINAL-15-22-POJOGA.pdf<\/a><\/li><li>Pojoga, Vlad. \u201cNarat\u0326iunea proto-hipertextuala\u0306 i\u0302n literatura roma\u0302na\u0306: Tudor Arghezi, <em>Tablete din T\u0326ara de Kuty<\/em> (II).\u201d <em>Transilvania<\/em>, no. 8 (2023): 7-14. <a href=\"https:\/\/revistatransilvania.ro\/wp-content\/uploads\/2023\/11\/RT8-2023-Pojoga.pdf\">https:\/\/revistatransilvania.ro\/wp-content\/uploads\/2023\/11\/RT8-2023-Pojoga.pdf<\/a><\/li><li>G\u00e2rdan [= Modoc], Daiana. \u201cExotizare a consumului \u0219i alienare capitalist\u0103 \u00een <em>Calea Victoriei<\/em> de Cezar Petrescu.\u201d <em>Transilvania<\/em>, no. 8 (2023): 1-6. <a href=\"https:\/\/revistatransilvania.ro\/wp-content\/uploads\/2023\/11\/RT8-2023-Gardan.pdf\">https:\/\/revistatransilvania.ro\/wp-content\/uploads\/2023\/11\/RT8-2023-Gardan.pdf<\/a><\/li><li>Modoc, Emanuel. \u201cUn subgen minor al romanul roma\u0302nesc: naturalismul.\u201d <em>Transilvania<\/em>, no. 8 (2023): 15-20. <a href=\"https:\/\/revistatransilvania.ro\/wp-content\/uploads\/2023\/11\/RT8-2023-Modoc.pdf\">https:\/\/revistatransilvania.ro\/wp-content\/uploads\/2023\/11\/RT8-2023-Modoc.pdf<\/a><\/li><li>Borza, Cosmin, Daiana G\u00e2rdan \u0219i Emanuel Modoc. \u201cThe peasant and the nation plot: A distant reading of the Romanian rural novel from the first half of the twentieth century.\u201d <em>Rural History \u2013 Economy, Society, Culture<\/em> (WoS-AHCI), 34, no. 1 (2023), 75\u201391. DOI:<u><a href=\"https:\/\/doi.org\/10.1017\/S0956793322000140\">https:\/\/doi.org\/10.1017\/S0956793322000140<\/a><\/u><\/li><\/ol><p><strong>Book Chapters:<\/strong><\/p><ol><li>G\u00e2rdan [= Modoc], Daiana. \u201cA Literary Form and Its Peripheral Uses: (French) Naturalism in Romania and Brazil&#8221;, in Alex Goldi\u0219 and \u0218tefan Baghiu (eds.),<em>Translations and Semi-Peripheral Cultures. Worlding the Romanian Novel in the Modern Literary System<\/em> (Berlin: Peter Lang, 2022), 113-130. <a href=\"https:\/\/www.peterlang.com\/document\/1303851\">https:\/\/www.peterlang.com\/document\/1303851<\/a><\/li><\/ol>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>ARCAN in a nutshell: The famous diagnosis made by Nicolae Iorga (and confirmed by many other critics), that Romanians did not have \u201ca novel of their own\u201d in the first 50-70 years of the genre\u2019s existence in Romania, is not confirmed by a quantitative analysis of the genre in relation to Romanian poetry. At least [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":[],"_links":{"self":[{"href":"https:\/\/grants.ulbsibiu.ro\/arcan\/wp-json\/wp\/v2\/pages\/32"}],"collection":[{"href":"https:\/\/grants.ulbsibiu.ro\/arcan\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/grants.ulbsibiu.ro\/arcan\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/grants.ulbsibiu.ro\/arcan\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/grants.ulbsibiu.ro\/arcan\/wp-json\/wp\/v2\/comments?post=32"}],"version-history":[{"count":20,"href":"https:\/\/grants.ulbsibiu.ro\/arcan\/wp-json\/wp\/v2\/pages\/32\/revisions"}],"predecessor-version":[{"id":84,"href":"https:\/\/grants.ulbsibiu.ro\/arcan\/wp-json\/wp\/v2\/pages\/32\/revisions\/84"}],"wp:attachment":[{"href":"https:\/\/grants.ulbsibiu.ro\/arcan\/wp-json\/wp\/v2\/media?parent=32"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}